Ange wrote:Cheers Babs !
I'd a momentary *omg I cant make any sense of this* for about 30 secs (never seen anything written in that format before) then grabed pen & manu paper & transcribed to dots & it plays !
I wish Johnny & Gavin Warwick would bring out a tune book together, all my fav tunes in one book, bliss ! (and it would keep the OH happy too if I were'nt buying books just to get one or tune tunes from them lol.
Angie
Hiya.
Yes, it's basic tabulature, instead of indicating frets, I indicate which fingers and "shape" to show finger placement.
The "key" was based on the tonality produced when you play the finger pattern starting from the open D string all the way up to the E string. The actual key of the melody is in Gmajor.
Theory note-- D mixolydian is just a fancy Greek word for a mode which occurs when you play a G major scale starting on its fifth degree, D (i.e., play D E F# G A B C D E F# G A, and listen to the quality of this modal scale). This chord will work if you're improvising over a D7 chord too...
Here's a bit more, this isn't complete or edited, but (this is the music teacher in me talking) see if you can figure out where to place the first and second ending...
B section --
in this part there is an F natural played on the E string (F natural is a half step below F, or one fingertip back towards the nut)...
E- 0_____1__2_____3(in the A section) E F# G A
E- 0__1_____2_____3(this is B section varient). E F G A
Count.2+...3e..........1......+.3.+.....1.....+.3.+....(1e..tied 1)...+2+...3+
E_______________|_0h1___2__1____|_0___1_0____|_______|__________________
A_______0__1h3__|____________3_|___________2_|_(1h3__|_3)_______0__1_3___
D___3___________|______________|_____________|_______|____3_3____________
G_______________|______________|_____________|_______|___________________
Count.2+...3e..........1......+.3.+.....1.....+.3.+....(1e..tied 1)...+2+...3+
E_0h1___2__1____|_0___________|____________________||_
A_____________3_|_______3___2_|_3_____1__1h2p1p0__*||_
D_______________|_____________|____0______________*||_
G_______________|_____________|___________________||_
Will fill in this blank later.... This is a first /second ending situation I mentioned above. The above section repeats then it has a variation in the second pass and finally tags with a phrase like the end of the A section. (listen for CD to see how it's ornamented).
....... 1.........3..+........1......+..2...3.......1.........3..+.....(1.........tied.....) (pickup + 3 +)
E__2____1_0_|___________|___________|_____|____||
A___________|__3________|__1___0____|_____|___* ||
D___________|_____0_0_0_|_________3_|_(3__|_3)_*||
G___________|___________|___________|_____|____||
Peace & Harmony~
Babs